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Call the midwife memoir. Buy a cheap copy of Bad Blood book by Lorna Sage. Bestselling author Lorna Sage delivers the tragicomic memoirof her escape from a claustrophobic childhood in post-WWII Britain-and thestory of the weddings. Lorna Sage obituary by Christopher Bigsby, 13 January may be the proof we need that literature really can make something happen: certainly Bad Blood, her classic memoir, tells a story about books.
Overview
Bad Blood By Lorna Sage
Bestselling author Lorna Sage delivers the tragicomic memoirof her escape from a claustrophobic childhood in post-WWII Britain—and thestory of the weddings and relationships that defined three generations of herfamily—in Bad Blood, an internationalbestseller and the winner of the coveted Whitbread Biography Award. Readers ofbooks like Angela’s Ashes and The Liar’s Club as well as fans ofSage’s own lucid and penetrating writing will be captivated by the book thatthe New York Times Book Review said“fills us with wonder and gratitude. . . . Few literary critics have everwritten anything so memorable.”
Bad Blood Lorna Sage
![Bad Bad](/uploads/1/3/7/7/137742942/276249776.jpg)
Bad Blood By Lorna Sage
Commentary on Lorna Sage’s Bad Blood
This passage, consisting of three paragraphs, out of Lorna Sage’s Bad Blood, is presented by an all-knowing first-person narrator. It revolves around a young girl’s, the narrator’s, school life and childhood experiences. It follows the evolution of a friendship between the narrator and her dear friend, or shall we say her “sworn enemy”(l 11), who is first introduced in the second paragraph, “Gail…had hair in ringlets, green-hazel eyes and pale, clear, slightly olive skin stretched tight and shiny over her muscles…” (ll 11-13).
The narrator first encounters Gail by having “fierce contests in the yard, duels almost…” (l 8) against her. At this point the…show more content…
Gail’s ascendancy is further demonstrated at the beginning of the third paragraph, “Once she’d thoroughly trounced me in public, Gail ignored me and held court in her own corner every playtime.” (ll 21-22). This also represents Gail’s physical advantage and her independent ability of holding court in her “own corner”.
Regardless of their conflicts, however, the narrator seems to admire Gail, which further demonstrates the idea of Gail’s supremacy; describing her as, “wiry and graceful” (l 19) and “she was so physically confident, in charge of her body even when she was five.”(ll 14-15). The narrator’s reverence is emphasized through the use of words such as “so” and “even” highlighting that it is unusual and extraordinary of a child of five to be “so” physically confident. The narrator is not the only one who looks up to Gail, “Other little girls might admire the ringlets and the dresses with smocking on the yokes, and the white socks that stayed up…” (ll 22-24).
In the second paragraph we read that the narrator eventually becomes friends with Gail, “In fact, she did become my very best friend, years later,” (ll 9-10). Instead of constantly arguing and fighting with each other they; “went round holding hands painfully fast and giggling together hysterically,” (ll 10-11). This could portray the contrast between expressing friendship when young and
This passage, consisting of three paragraphs, out of Lorna Sage’s Bad Blood, is presented by an all-knowing first-person narrator. It revolves around a young girl’s, the narrator’s, school life and childhood experiences. It follows the evolution of a friendship between the narrator and her dear friend, or shall we say her “sworn enemy”(l 11), who is first introduced in the second paragraph, “Gail…had hair in ringlets, green-hazel eyes and pale, clear, slightly olive skin stretched tight and shiny over her muscles…” (ll 11-13).
The narrator first encounters Gail by having “fierce contests in the yard, duels almost…” (l 8) against her. At this point the…show more content…
Gail’s ascendancy is further demonstrated at the beginning of the third paragraph, “Once she’d thoroughly trounced me in public, Gail ignored me and held court in her own corner every playtime.” (ll 21-22). This also represents Gail’s physical advantage and her independent ability of holding court in her “own corner”.
Regardless of their conflicts, however, the narrator seems to admire Gail, which further demonstrates the idea of Gail’s supremacy; describing her as, “wiry and graceful” (l 19) and “she was so physically confident, in charge of her body even when she was five.”(ll 14-15). The narrator’s reverence is emphasized through the use of words such as “so” and “even” highlighting that it is unusual and extraordinary of a child of five to be “so” physically confident. The narrator is not the only one who looks up to Gail, “Other little girls might admire the ringlets and the dresses with smocking on the yokes, and the white socks that stayed up…” (ll 22-24).
In the second paragraph we read that the narrator eventually becomes friends with Gail, “In fact, she did become my very best friend, years later,” (ll 9-10). Instead of constantly arguing and fighting with each other they; “went round holding hands painfully fast and giggling together hysterically,” (ll 10-11). This could portray the contrast between expressing friendship when young and